In 2011, Katz and the CBASO, joined by the CBA Chorus and guest choirs, nearly three hundred musicians in all, presented Orff's Carmina Burana to a capacity crowd at Orchestra Hall, Chicago, in celebration of the CBASO's 25th season. The ensemble returned to Symphony Center in spring 2015 for Something Wonderful!, an all-Rodgers & Hammerstein concert.
David Katz has led more than sixty orchestras and opera companies throughout the U.S., Canada and Mexico as guest conductor, including concerts with the Detroit Symphony Orchestra, the Mississippi Symphony and the Corpus Christi Symphony. Former associate conductor of the Elgin Symphony Orchestra under Margaret Hillis, and for twelve years music director of the Adrian Symphony Orchestra and co-founder of OPERA!Lenawee in Michigan, Katz is currently artistic director of Hat City Music Theater, Inc., in Connecticut, where he is founder and chief judge of The American Prize national nonprofit competitions in the performing arts. In 2016, Katz was honored by Musical America as one of only thirty “Top Professionals of the Year” nationally for his work creating and sustaining The American Prize. TAP has awarded more than $40,000 in prize money to performing artists nationwide since its creation.
A professional playwright, actor and arts advocate, Katz tours internationally in his acclaimed one-man play, MUSE of FIRE, about the secrets of conducting. He has presented the play scores of times throughout the Midwest, Northeast, and in Canada, including an extended engagement in Chicago. Two books by David Katz, Muse of Fire: A Symposium on the Art of Conducting, and Bruck Stories, a companion volume, will be published by Del Gatto Press next year. Katz is also at work on Wonderful Counsellor, a memoir about three decades of music-making with Chicago lawyers.
David Katz holds baccalaureate and master’s degrees in composition and conducting from the Hartt School of Music of the University of Hartford. He was a student of the great Lithuanian maestro, Vytautas Marijosius, and was the first in the school’s history to be awarded an Artist’s Diploma in Conducting. Katz also studied for five years under Charles Bruck at the Pierre Monteux School for Conductors, in Maine, and later founded Opera Maine, the Monteux Opera Festival, and the Chamber Orchestra of Maine. He has partnered such artists as Itzhak Perlman and Misha Dichter in concert and has worked with some of the greatest twentieth century composers, including William Schuman, Hans Werner Henze, Milton Babbitt and Elliott Carter. Katz’s own compositions are published by Carl Fischer and G. Schirmer, among others.
STEPHEN BLACKWELDER, Director of The The Chicago Bar Association Chorus
Choral music has always been an active component of Blackwelder’s musical life and he has led performances of the Downer’s Grove Oratorio Society, Camerata Singers of Lake Forest, Waukegan Festival Chorus and numerous university, church and temple ensembles. Formerly the conductor of the early music ensemble Ars Musica Chicago, he led that group in numerous concerts and recordings over 8 concert seasons. As an accomplished professional singer, he performed frequently under such conductors as Robert Shaw, James Levine, Sir Georg Solti, Claudio Abbado and Margaret Hillis while a member of the Aspen Chamber Choir and Chicago Symphony Chorus.
A former Music Director of the Hinsdale Chamber Orchestra, he continues to attract and delight audiences with fresh, innovative programming and an informal and appealing concert style. Highlights of past seasons include performances with celebrated flautist Carol Wincenc, Metropolitan Opera soprano Nancy Gustafson, Ruben Gonzalez and John Sharp of the Chicago Symphony, and the NIU Philharmonic with soloists from the famed Vermeer Quartet. Guest conducting engagements include the Richmond, Bremerton and Sacramento Symphonies, as well as the Chicago String Ensemble, where he was praised for his “warmly expressive” conducting by Robert Marsh of the Chicago Sun-Times.
A native of North Carolina, Blackwelder was the first undergraduate to receive a Bachelor of Music in conducting and voice from UNC-Chapel Hill. During his studies for the Master of Music degree at Northwestern University, he assisted Grigg Fountain with the Alice Millar Chapel Choir in addition to his duties with orchestral and opera groups. Professional study includes four seasons with the renowned Aspen Music Festival and master classes with Sir Georg Solti, Max Rudolf and Erich Leinsdorf.
MAREK RACHELSKI, Resident Conductor of The Chicago Bar Association Symphony Orchestra
Past Music Director of Opera Las Vegas, he accompanied aria recitals and conducted complete staged performances of Puccini’s La Boheme, Donizetti’s L'elisir d'amore, Mollicone’s The Face on the Barroom Floor and a Puccini 150th celebrating operas of Puccini including excerpts from La Boheme, Madama Butterfly, Tosca, Manon Lescaut, Turandot, La Fanciulla del West, La Rondine, and Gianni Schicchi. He founded the Las Vegas Diocesan Cathedral Choir and the Las Vegas Peoples Valley Chorus which performed Requiems by Faure, Rutter and Brahms, Handel’s Judas Maccabeus, Mendelssohn’s Elijah, Mozart’s Coronation Mass and Vespers, Rossini’s Stabat Mater, Vivaldi Juditha Triumphans and a yearly Handel’s Messiah.
As Assistant Conductor of the Elgin Symphony he conducted Young People’s Concerts and performed with Victor Borge; he was also Music Director of the Valley Civic Orchestra and conducted the Elgin Area Youth Orchestras. A composer of over 100 works, he was commissioned in 1989 for a setting of Psalm 145 for the Papal Mass in Detroit and for a Magnificat by the Lira Singers for their 25th Anniversary. In addition to awards from the Pi Kappa Lambda National Music Honor Society, he was presented with the Pulaski Award for his contributions to Polish American Culture. Rachelski enjoys collaboration as recital accompanist for a rich variety of musical artists, both instrumental and vocal.